Paol Keineg

Paol Keineg , (Quimerc' H, Finistere, February 6th, 1944), Poet and Breton Playwright.

Supervisor of externat in Pont-l'Abbé, Quimper, Brest. License of Modern Letters, University of Western Brittany, 1968. Substitute teacher with Morlaix, then Brest. It is put at the door of teaching in 1972, without official justification, but for political reasons (it was militant Breton Democratic Union). It joined Jean-Marie Serreau, with the Theater of the Storm, which puts in scene its first part, Red Spring Bonnets, then is found with unemployment, works as ironmonger with naval repair. It starts in 1974 a training course of welder to the F.P.A. of Rennes, to which it is brilliantly received. Immediately afterwards, it leaves Brittany for California, where it exerts clandestinely and briefly the trade of welder, for lack of work permit, but he is also male domestic help, gardener, painter, etc He learns English. During a certain time, it will make the shuttle between Europe and North America. In 1977, it is registered at the University Brown (Providence, Rhode Island). It receives there its doctorate in letter (pH. D) in 1981. He teaches mainly in Dartmouth College, Brown University, and is now in Duke University (Durham, North Carolina), after having been professor invited to Berkeley and Harvard. He is the father of the singer Katell Keineg.

Works

the poem of the country which is hungry , Traces, 1967.
Liege men of the slopes in fright , P.J. Oswald, 1969.
Chronic and sketch of the locked villages , P.J. Oswald, 1971.
the spring of the Red Bonnets , P.J. Oswald, 1972.
True stories/Mojennoù to gwir (bilingual), P.J. Oswald, 1974.
Commonplaces, followed by Dahut , Gallimard, 1974.
35 haiku (Breton), ED. Brittany, 1978.
Boudica, Taliesin and other poems , Maurice Nadeau, 1980.
Forewords in Gododdin , ED. Bretagnes, 1981.
Birds of Brittany , birds of America, Obsidiane, 1984.
Silva return, Maurice Nodeau and Guernica (Montreal), 1989.
Tohu , Wigwam editions, 1995.
Anna Zero , editions Apogee, 2002

Theater

the spring of the Red Bonnets , Theater of the Storm, put in scene of Jean-Marie Serreau, December 1972 - January 1973. Recovery under capital in 1975 per Dominique Serreau.
(Lack of) adventures in Pathogenesis , France-Culture, put in waves of Jean Taromi, 1983.
the Queen of the night , Theater of the Mirror, Châteaulin, Finistere, 1992.
Kaka, or the celestial Interview , in the Night of the births , Theater of Insane Thought, Saint-Brieuc, 1994.

External bonds

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