Milly Buonanno

Milly Buonanno is a Italian Sociologue , among the first Italian academics to deal with classifying the journalistic field and to study the production of televised series.

Biography

Graduate in letters of the University of Rome “Sapienza”, it is now titular professeure in sociology of the cultural processes and communications, near the same university, after several last years with the faculty of Political science Cesare Alfieri di Sostegno of the Université of Florence.

In the the Eighties it makes party of the department of English literature of the Université of Naples “Eastern” the. In company of Lidia Curti and daN Rooms, it introduces the concept of Cultural anthropology in Italy.

In 1986, with his/her companion Giovanni Bechelloni, it founds the Osservatorio sulla fiction italiana (in French: Observatory of the Italian fiction ) and association It Campo (in French: the Field ) which is managed by Osservatorio. It also coordinates the draft study of televisual industry EuroFiction , project also managed by Osservatorio. It directs the advanced laboratory of creation and production of televisual fictions , established with Milan with the Scuola nazionale di cinema (in French: Italian National school of the cinema ).

She also taught with the Université of Naples “Frederic II” and with the Université of Salerno.

Fields of studies

Its fields of interests, separately the televised series, turn around the evolution of the journalistic style compared to the influence of television and the new media, with an special attention paid to the sensationnalism of information (from where the Néologisme faction , born from a fusion of the English words fact (meaning fact) and fiction ), like with the roles of the women. Milly Buonanno is one of the pionnières of the efforts of classification of the sociological studies and communincations.

Publications

1975 Naturale like sei. Indagine sulla stampa femminile in Italia , French Guaraldi (: Natural like you. Inquire into the women's magazines in Italy )
1978 gives It E the stampa (in French: the women and the press )
1983 Cultura di massed E identità femminile. Imagines beyond gave in televisione , SPOKE - ERI (in French: Mass culture and female identity. The image of the women on television )
1985 Matrimonio E famiglia. Ricerca sui racconti televisivi , ERI-RAI - French VPT (: Marriage and family. Seek on the televised series )
1988 the elite senza sapere (in French: the elite without knowing )
1994 Narrami O diva. Studi sull' immaginario televisivo (in French: Tells me, O diva. Studies on the imaginary one televised )
1996 Piovra. Politica di una fiction popolare , French will carriera Costa & Nolan (: the Octopus. The political career of a popular fiction )
1996 Leggere fiction. Narrami O diva rivisitata , Liguori, (in French: To read the fiction. Tell me, O revisited diva )
1997 Television faction and identities (in French: tele “Faction” and identity )
1998 Imaginary dreamscapes (in French: imaginary oneiric Landscapes )
1999 El drama televisivo (in French: the drama televised )
1999 Faction. Soggetti mobili E generi ibridi nel giornalismo italiano degli anni novanta , Liguori, (in French: “Faction”. Mobile subjects and hybrid kinds of the Italian journalism of the Nineties )
2002 formulates It LED racconto televisivo , Sansoni (in French: formulas of the televised series )
2003 Visibilità senza potere. Left progressive the my nonmagnifiche delle gives giornalist in Italia , Liguori, (in French: Visibility without capacity. The progressive arrival but without glare of the women journalists in Italy )
2004 multiple Realtà , Liguori, (in French: multiple Reality )
2005 Controcorrente. Altri modi di vedere the televisione , MediaScape, (in French: With against current. Other ways of seeing television )
2006 the età beyond televisione , Laterza, (in French: ages of television )

Source

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