Jacques Audiberti

Jacques Audiberti is a writer and Dramaturge French, born the March 25th 1899 with Antibes and dead the July 10th 1965 with Neuilly-sur-Seine.

He is author of a theatrical work important, but also of Romance S, Essai S, Poème S and criticisms cinematographic.

Biography

He passed his youth to Antibes and fixes himself at Paris in 1924.

1899 : birth of Jacques Audiberti, only sons of Louis Audiberti and his wife, Victorine. His/her father is Master-mason.
1905-1914: Primary studies, then secondary with Antibes, which it is obliged to stop for health reason.
1914: Start to make appear poems and chronic with the Réveil of Antibes . Edmond Rostand, to which it sent poems, addresses his encouragements to him as well as a dedicated photograph that Audiberti will preserve a long time. He discovers with amazement the cinema.
1918-1924: Clerk-clerk at the bankruptcy court where his/her father was appointed judge.
1924: Audiberti goes up to Paris. Recommended by a school-fellow, Emile Coudroyer, it enters to the Journal which it will leave the following year for Small Parisian the where it covers the various facts in Parisian suburbs. By Benjamin Péret, also journalist with the Small Parisian , it approaches the surrealist movement without never belonging to him. He attends much the National library.
1926: It Marie with a young West-Indian teacher: Elisabeth-Cecile-Amélie, first names which will compose the title of a poem published in 1936. Two girls will be born from this union: Jacqueline and Marie-Louise.
1930: Publication on account of author, thanks to the financial aid of his/her father, of a first collection of poems, Empire and the Trap door . Supported by Jean Paulhan, Audiberti collaborates in various reviews and is named, in 1935, to defer to the Parisian Petit . Among its knowledge and friends, appear Jean Cassou, Valéry Larbaud, Leon-Paul Fargue.
1933: beginning of the correspondence with Jean Paulhan who will be completed only in 1965, a few weeks before its death.
1938: Race of the men, collection of poetry published to the NRF in 1937, receives the Price of poetry of the Mallarmé Academy. Audiberti meets, on this occasion Paul Valéry and Jean Cocteau.
1939-1942: Small Parisian the sends it to the Spanish border at the time of the rout of the republican army: “I live the war of Spain. I vomits. ” Audiberti follows the exodus for the newspaper then stops its collaboration when the newspaper becomes under German control. Audiberti gives cinematographic criticisms. It continues its poetic and romantic work while travelling through France (Aurillac, Toulouse, Val of Isere).
1941-1943: He collaborates in the newspaper Comoedia for which he writes many cinematographic criticisms which give an interesting vision of the cinema under the occupation.
1943: It binds friendship with the future scenario writer Jacques Baratier. It passes the end of the war to Antibes.
1946-1952: Fertile years of production: exposures of gouaches; creation of its plays; publications of novels; participation in the sides, inter alia, of Marcelle Auclair, Herve Bazin, Emile Danoën and Roger Vailland, with the booklet of the Nave of Lucie Faure, entitled “the Love is to reinvent”, etc It receives prices. Fertile meetings: Georges Vitaly, Suzanne Flon, Michel Piccoli, Andre Barsacq, etc
1952: With the Italian writer Beniamino Joppolo and the painter Camille Bryen, Audiberti works out “the abhumanism”.
1953: François Truffaut convinces Audiberti to write “tickets” for the Cahiers of the Cinema .
1954-1964: Publications of novels and success to the theater.
1962: His/her friend Jacques Baratier adapts to the cinema his novel the Headstock . Audiberti contributes to this realization and makes of it the account in a article published in New Ingenuous the , n°78, in October 1962.
1964: Audiberti receives the " National Grand Prix of Lettres" for the whole of its work as well as the " Price of Critiques". Suffering from a cancer, it undergoes a first operation. Correspondence with François Mauriac.
1965: Died from Jacques Audiberti, a few weeks before the publication of its novel-newspaper Sunday awaits me.

Works

Empire and the trap door . Paris, Bookstore of the Crossroads, 1930, Paris Republication, Gallimard, 1969,183 p.
Elisabeth-Cecile-Amélie . Paris, G.L.M., coll Reference mark, 1936,11 p.
Race of the men . Paris, Gallimard, coll Metamorphoses, 1937,180 p., republication
Abraxas . Paris, Gallimard, 1938,289 p.
Seventh . Paris, Gallimard, 1939,224 p.
Words of explanation . Aurillac, the Apple of fir tree, 1940,23 p.
Of the Tons of seed . Paris, Gallimard, 1941,155 p.
Urujac . Paris, Gallimard, 1941,254 p.
Carnage . Paris, Gallimard, 1942,254 p.
the New Origin . Paris, Gallimard, 1942,93 p.
the Return of divine the . Paris, Gallimard, 1943,269 p.
the end of the world . Paris, Parisian Company of bookstore and edition, 1943,72 p. - Collection Babel N°1, 1989
Always . Paris, Gallimard, 1943,117 p.
Nâ . Paris, Gallimard, 1944,362 p.
the Pet peeve . Paris, the four Winds, 1945,94 p.
Lives Guitar . Paris, Robert Laffont, 1946,94 Monorail p.
. Freiburg-Paris, Egloff, 1947,415 p. Réédition: Paris, Gallimard, 1964,336 p.
Talent . Freiburg-Paris Eflogg, 1947,238 p.
the Opera of the world . Paris, Fasquelle, 1947,1931 p.
the Victorious . Paris, Gallimard, 1947,241 p.
Theater, volume Ⅰ . Quoat-Quoat. Ampélour. Women of ox. The evil runs. Paris, Gallimard, 1948,198 p.
the Doctors are not plumbers . Paris, Gallimard, 1948,197 p.
Hundred Days. Paris, Gallimard, 1950,284 p.
the Master of Milan . Paris, Gallimard, 1950,264 p. Réédition: Paris, the Book of pocket, 1968,256 p.
Rain on the boulevards . Angers, With the gold mask, 1950,76 p.
the Earth in the hand, Divides into volumes Ⅰ . Love. Paris, Forest, 1950,32 p.
the Earth in the hand, Divides into volumes ⅠⅠ . Medicine. Paris, Forest, 1951,32 p.
the Can-opener (in collaboration with Camille Bryen), Paris, Gallimard, 1952,201 p.
Marie Dubois . Paris, Gallimard, 1952,285 p.
Theater, Volume ⅠⅠ . The black festival. Virgin. The Natural ones of the Of Bordeaux one. Paris, Gallimard, 1952,304 p.
Rampart . Paris, Gallimard, 1953,137 p.
Molière . Paris, the Arch, coll large playwrights, 1954,158 p. Réédition: Deliver pocket, 1973,160 p.
Abhumanisme . Paris, Gallimard, 1955,226 p.
Gardens and the rivers . Paris, Gallimard, 1954,398 p.
the Beauty of the love . Paris, Gallimard, 1955,182 p.
the Rider alone . Paris, Gallimard, coll the coat of Harlequin, 1955,247 p.
the Headstock . Paris, Gallimard, 1956,244 p.
Theater, volume ⅠⅠⅠ . The Landlady. Spoken opera. Ouallou, Altanima. Paris, Gallimard, 1956,261 p.
the tamed Shrew . Paris, Gallimard, coll the coat of Harlequin, 1957,280 p.
the Sabbath ressuscity by Leonor Finished . Paris, Company of the friends of the book, 1957,129 p.
Hobereaute . Paris, Paris-Theater n° 146 (s.d.), p. 12-37.
Child murder recommended . Paris, Gallimard, 1958,287 p.
roughcast Lagoon . Paris, Company of the hundred one, 1958,173 p.
the Effect Glapion . Paris, Gallimard, coll the coat of Harlequin, 1959,203 p. Réédition: Paris, the Book of pocket, 1962, p. 103-244.
Theater, volume ⅠⅤ . Heart with leather. The Dioclès Soldier. The Ant in the body. The Patient
, the traditional Cupboard . A beautiful Child. Paris, Gallimard, 1961,287 p.
' Theater, Volume V . Apple Apple Apple. Stick and ribbon. Closed shop. Brigitta. Paris, Gallimard, 1962,258 p.

the Headstock . Scenario and dialogs. Paris, Gallimard, 1962,126 p.

the Tombs close badly. Paris, Gallimard, 1963,236 p.

Guérite . N.R.F., n° 132 (12/1/1963), p. 642-662, 841-861.

Angel with the entrails , 1964

Discussions with Coal Georges . Paris, Gallimard, 1965,167p.

Sunday awaits me . Paris, Gallimard. 1965,289 p. Paris, Gallimard, coll Poetry, 1968,214 p.

the Headstock . Comedy in six tables. Paris, Gallimard, coll the coat of Harlequin, 1969,102 p.

Audiberti, moreover, collaborated in many periodicals. See, for the list, the bibliography provided by Jean-Yves Guerin in the Theater of Audiberti and the baroque , Paris, Klincksieck, 1976, p. 248.

External bonds

http://www.aajaudiberti.com/

See too

Maxime the Forester " Mr Audiberti speaks to you about unknown, you are already loin." (words of the song: Fontenay-Aux-Roses, 1973) -----

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