marquetry: Boxes out of wooden inlaid the reliure'
the raffia matting : Construction of object in raffia
tablettery: the work of the horn and mother-of-pearl applied to the jewels, covers, cups dices, pawns of plays, pencil boxes, cases with glasses… Immense horns of the zebu - animal emblematic of Madagascar offer a very fine matter of a large variety of colors going from the black to clear amber. Its implementation by the tabletiers points out that D `another matter, resulting from a protected space by the convention of Washington, the scale of tortoise, still used but which it must replace completely. Mother-of-pearl is in abundance on the coasts in various species of shells sometimes of large dimensions.
Lapidairerie : the work of the hard stones. Sapphire with the marble, while passing by the fossilized trees the island abounds in geological wonders. The semi-precious stones (topaz, amethyst, acute navy, garnet and tourmaline) and the “fine stones” or the sections of fossil tree, the ammonites, can be integrated went jewelry and to certain objects.
The list of the Malagasy craft industry of art cannot be not closed without quoting the jewelry (in particular the work of gold in filigree in north and the west, the cast aluminum which after moulding and brushing lends itself for the use of bronze in decoration (town of Ambatolampy), the thick Antaimoro paper which includes in natural pulp flowers and stems laid out with art, the carpets mohait of it great south and finally the models of boats (Antananarivo)).
Because it brings resources essential to the local craftsmen, because it uses matters resulting from the exploitation of durable resources, the Malgache craft industry is an asset for this country. 15% of Malagasy exports are represented by the craft industry for a total of 44 billion ariary (16 million euros) in 2005. The sector is to 85% abstract, according to the National institute of the statistics. Also it is urgent to renew their outlets. The Malagasy craft industry is proposed little by the international business of the decoration, which requires identical hundreds of parts. Only 1,5% of the craftsmen export directly.
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