General history

• Gilbert Adair and Nick Rodick, has Night At the Pictures: Ten Decades off British Film , Bromley (Kent), Columbus Books, British Year Film, 1985,144 p.
• Roy Weapons, has Critical History off the British Cinema , London, Secker & Warburg, 1978,374 p.
• Charles Barr (under the direction of), All Our Yesterdays: 90 Years off British Cinema , London, British Institute Film, 1986,446 p.
• Charles Barr, Typically British: With History Shorts off the Cinema in Britain , London, British Film Institute, 1995,208 p.
• Ernest Betts, The Film Business: In History off British Cinema (1896-1972) , Allen & Unwin, 1973,349 p.
• N.T. Binh and Plundering Philippe, Typically british, the British cinema , foreword of Bertrand Tavernier, Editions of the Center Pompidou, 2000,191 p.
• Kevin Brownlow, How It Happened Young stag , London, Secker & Warburg, British Institute Film, 1968,184 p.
• Freddy Buache, the English Cinema around Kubrick and Losey , Lausanne, the Old one of Man, 1978,327 p.
• Elaine Burrows (under the direction of), The British Cinema Source Book , BFI Files Viewing Copies and Library Materials, London, British Film Institute, 1995,216 p.
• Ivan Butler, Cinema in Britain: Year Illustrated Survey , London, Tantivy; New York, A.S. Barnes and Co, 1973,307 p.
• John Caughie and Kevin Rockett, The Companion to British and Irish Cinema , London, BFI/Cassell, 1996,204 p.
• Cinemateca Portuguesa and British Council, Cinema Inglês (1933-1983) , Lisbon, Cinemateca Portuguesa, 1984,296 p.
• Miriam To close, David Robinson and Leon To close, Cinema Great Britain: Seventy-five Years off British Films , Film Association Production, 1970,125 p.
• Robin Cross-country race, The Big Book off British Films , London, Charles Herridge/Sidgwick & Jackson, 1984,192 p.
• James Curran and Vincent To carry (under the direction of), British Cinema History , London, Weidenfeld and Nicolson, 1983,445 p.
• Eddie Dick (under the direction of), From Limelight to Satellite: In Scottish Film Book , Scottish Film Council/British Institute Film, 1990,256 p.
• Wheeler Winston Dixon (under the direction of), Re-viewing British Cinema 1900-1992: Essays and Interviews , Albany, State University off New York Close, 1994,288 p.
• Raymond Durgnat, has Mirror for England: British Movies from Austerity to Affluence (1940-1970) , London, Faber and Faber, 1970,336 p.
• Denis Forman, Films 1945-1950 , London, Longmans for the British Council, 1952,64 p.
• Denis Gifford, British Cinema: An Illustrated Guides , London, A. Zwemmer Limited, 1968,176 p.
• Denis Gifford, The British Film Catalogs (1895-1985) , Newton Abbot (Devon), David and Charles, 1986,1 150 p.
• David Grenfell, An Outline off British Film History (1896-1962) , London, British Film Institute, 1963,25 p.
• Andrew Higson, Waving the flag: Constructing has National Cinema in Britain , Oxford, Clarendon Close, 1995,322 p.
• Endrew Higson, (under the direction of), Dissolving Views: Key Writings one British Cinema , London, Cassell, 264 p.
• Images of the English cinema , booklet published by the French Cineclub at the time of the homage paid by this one to the British cinema, from June in September 1956.
• David Leaf (under the direction of), BFI Film and Television Handbook , London, BFI Publishing, London, annual publication, approx. 300 p.
• Raymond Lefèvre and Roland Lacourbe, 30 years of British cinema , Paris, Editions Cinema 76,1976,491 p.
• Alan Lovell, The British Cinema: The Unknown Cinema , London, British Institute Film/Department Education, 1969,8 p.
• Brian McFarlane (under the direction of), Sixty Voices. Celebrities Recall the Old Golden delicious off British Cinema , London, British Institute Film, 1992,260 p.
• Brian McFarlane, Encyclopedia off British Film , London, Methuen Publishing, 2003,800 p.
• Emanuela Martini, Storia LED cinema inglese (1930-1990) , Venice, Marsilio, 1991,461 p.
• Noble Peter, Spotlight one Filmland: has Book butt British Films , Ward and Hitchon, 1947,103 p.
• Charles A. Oakley, Where We Came In (70 Years off the British Film Industry , London, Allen and Unwin, 1964,245 p.
• James Park, British Cinema: The Lights That Failed , London, B.T. Batsford, 1990,192 p.
• George Perry, The Great British Picture Show , London, Binder-Davis, MacGibbon, 1975,367 p.
• Plundering Philippe, History of the British cinema , Paris, Nathan, 1996,128 p.
• David Quinlan, British Sound Films: the Studio Years (1928-1959) , B.T. Batsford, 1984,407 p.
• Jeffrey Richards, Visions off Yesterday , London, Routledge and Kegan Paul, 1973,391 p.
• Jeffrey Richards and Anthony Aldgate, Best off British: Cinema and Society (1930-1970) , Oxford, Basil Blackwell, 1983,170 p.
• Anthony Slide, Fifty Classic British Films 1932-1982: has Pictorial Record , New York, Dover Publications, 1985,152 p.
• Sarah Street, British National Cinema , London, Routledge, 1996,232 p.
• Alain Sudre, “ the avant-garde” cinematographic British, 1960-1980 , thesis of doctorate of 3rd cycle, under the direction of Jean Rouch, Université of Paris I.
• John Russell Taylor (under the direction of), Masterworks off the British Cinema: Brief Encounter, The Third Man, Kind Hearts and Coronets, Saturday Night and Sunday Morning , London, Lorrimer, 1974,352 p.
• John Russell Taylor and John Kobal, Portraits off the British Cinema: 60 Glorious Years (1925-1985) , Arum, 1985,160 p.
• Jerry Vermilye, The Great British Films , Secaucus, N.J., The Citadel Close, 1978,255 p.
• Patricia Warren, British Cinema in Pictures , The British Film Collection, London, B.T. Batsford Ltd, 1993 (1st edition Elm Tree Books 1984), 256 p.

National character and cinema

• Charles Barr, “Projecting Britain and the British Character”, Screen , spring 1974, p. 87-121.
• Philip French, “Marriage in the British Cinema”, Twentieth Century , 172, spring 1964, p. 107-116.
• Ian Johnson, “Cuts the British has Sense off Humor? ”, Films and Filming , March 1963, p. 48-53.
• Roger Manvell, “Britain' S Coil-Portraiture in Feature Films”, Geographical Magazine , August 1953, p. 222-34.
• Jeffrey Richards, Films and National British Identity. From Dickens to Dad' S Army , Manchester & New York, Manchester University Close, 1997,387 p.
• John Russell Taylor, “Tomorrow the World: Off summon Reflections one the Unenglishness English Films”, Sight and Sound , spring 1974, p. 80-83.
• J.P. Török, “Last state of the British cinema or misadventures of insularity”, Positive , n° 128, June 1971, p. 30-32.
• Vernon Young, “Movies and National Character”, Films and Filming , February 1969, p. 15-20.

Cinema industry

State and cinema

Censure

• Anthony Algate, Censorship and the Permissive Society: British Cinema and Theater 1955-1965 , Oxford, Clarendon Close, 1995,171 p.
• Stephen Brody, Screen Violence and Censorship Film: In Review off Research , London, HMSO, 1977,179 p.
• Derek Hill, “The Dress off Censorship”, Encounter , July 1960, p. 52-62.
• Neville March Hunnings, “`… and Loss off Paradise': The Origins off Censorship in England”, Sight and Sound , winter 1957-58, p. 151-154.
• Neville March Hunnings, Film Censors and the Law , Allen and Unwin, 1967,474 p.
• Neville March Hunnings, “Censorship: One the Way Out? ”, Sight and Sound , autumn 1969, p. 201
• Tom Dewe Mathews, Censored , London, Chatto & Windus, 1994,291 p.
• Gordon McDougall, “To Deprave and Corrupt? Year Examination off the Methods and Aims off Censorship Film in Britain”, Motion , n° 2, winter 1961-2, p. 5-8.
• Andy Medhurst, “Victim: Text ace Context”, Screen , July 25th, th and th - October 1984, p. 22-35.
• Paul 0 ' Higgins, Censorship in Britain, London, Nelson, 1972,232 p.
• Geoffrey Robertson, Obscenity: Year Account off Censorship Laws and Their Enforcement in England and Wales , Weidenfeld and Nicolson, 1979,364 p.
• James C. Roberton, The British Board off Censors Film: Censorship film in Britain, 1895-1950 , London, Croom Helm, 1985,213 p.
• James Robertson, The Hidden Cinema: British Censorship Film in Action 1913-1972 , London, Routledge and Kegan Paul, 1989,199 p.
• David Robinson, “Trevelyan' S Social History: Some Notes and has Chronology”, Sight and Sound , spring 1971, p. 70-72.
• Jean-Paul Török, “the world of Non-U”, Positive , n° 37,1961.
• John Trevelyan, “The Censor' S Reply”, Encounter , September 1960, p. 61-65.
• John Trevelyan, What the Censor Saw , London: Michael Joseph, 1973,276 p.
• John Wilcox, “The Small Knife: Studies in Censorship. Britain”, Sight and Sound , spring 1956, p. 206-209.
• Enid Wistrich, “I Don' T Mind the Sex It' S the Violence”: Film Censorship Explored , London, Marion Boyars, 1978,160 p.

Studios and producers

Cinematographic kinds

• Marcia Landy, British Kinds: Cinema and Society, 1930-1960 , Princeton, N.J., Princeton University Close, 1991,553 p.

The documentary cinema

• Olivier Deck-beam ( and Al ), " England and its cinema: The documentary current 1927-1965" , Films Editions, Cinema of Today , n° 11,1977,156 p.
• British Institute Film, British Documentary Films 1929-1952 . I leaves: Films Controlled by the Central Office off Information , London, British Institute Film, 1952,32 p.
• French Cineclub /Mus ée of the Cinema, Hommage to the GPO Film Links , Paris, Cinémathèque French, 1966,19 p.
• John Grierson ( and Al ), New Directions in Documentary: International carryforward off the Conference Held At Edinburgh , Edinburgh, Edinburgh Film Festival, 1952,41 p.
• Alan Lovell and Jim Hillier, Studies in Documentary , London, Secker & Warburg/British Institute Film, 1972,176 p.
• Rachel Low, The History off the British Film 1929-1939: Documentary and Educational Films off the 1930s , Allen and Unwin, 1979,244 p.
• Rachel Low, The History off the British Film 1929-1939: Films off How and Persuasion off the 1930s, Allen and Unwin, 1979,256 p.
• Paul Rotha, Documentary Film: the Uses off the Film Medium to Interpret Creatively and in Social Terms the Life off the People ace it Exists in Reality , London, Faber, 1952 (1st edition 1939?), 412 p.
• Elizabeth Sussex, The Small channel and Fall off British Documentary: The Story off the Film Movement Founded by John Grierson , London, University off California Close, 1975,219 p.
• Paul Swann, The British Documentary Movement Film 1926-1946 , Cambridge, Cambridge University Close, 1989,216 p.

Realizers/directors (general information)

• “has Free Hand”, Sight and Sound , spring 1959, p. 60-64 (8 realizers British are expressed: Jack Clayton, Cleaves To give, Robert Hamer, Seth Holt, Pat Jackson, John Krish, Jack Lee, Tony Richardson and Paul Rotha).
• “British Features Directors: Year Index to their Work”, Sight and Sound , autumn 1958, p. 289-98 (British catalogs of films of 80 realizers).
• “the English Cinema”, with texts of Raymond Lefèvre, Philippe Haudiquet, Philippe Plundering and a small dictionary concerning 40 British realizers, Image and its , n° 174, June 1964.
• Gilles Garcia (under the direction of), 50 European scenario writers of today , Paris, Europictures, 1994,35 p.
• Jonathan Hacker and David Price, Take 10 Contemporary British Film Directors , Oxford & New York, Oxford University Close, 1991,434 p.
• Laurie Hillstrom Collar (under the direction of), International Dictionary off Films and Filmmakers: Directors , Strait, New York, Toronto & London, St James Near, 1997, 3rd edition (1st not dated edition), 1.325 p.
• David Quinlan, The Illustrated Guides to Film Directors , London, Batsford, 1983,335 p.
• Eric Rhode, “British Film-Makers”, Listener , September 26th, 1968, p. 385-387.
• Richard Roud (under the direction of), Cinema: In Critical Dictionary: The Major Filmmakers , London, Secker & Warburg; New York, Viking, 1980,1 121 p.
• John Russell Taylor, Directors and Directions , London, 1975.
• John Wakeman (under the direction of), World Directors Film. Volume 1: 1890-1945; Volume 2: 1945-1985 , New York, The H.W. Wilson Company, 1987,1988,1 247 p. + 1.205 p.

Actors/actresses (general information)

• Andy Medhurst, “Edge Chaps Be Pine-Ups? Male The British Film Star in the 1950s”, Ten-8 , n° February 17th, th and th 1985.
• Scott Micrometer caliper, has off Who' S Who British Film Actors , Metuchen, N.J., Scarecrow Close, 1981,561 p.
• Scott Palmer, British Film Actors' Credits 1895-1987 , 1988,918 p.
• Terence Pettigrew, British Film Character Actors: Great Names and Memorable Moments , Abbott Newton & London, David & Charles, 1982,208 p.